Chiudiamo questa lunga panoramica sui premi di fine anno dei maggiori sindacati di settore americani con i direttori della fotografia e i montatori:
Cominciamo dalla American Society of Cinematographers che ha scelto:
Feature Film
Bruno Delbonnel, ASC, AFC for The Tragedy of Macbeth
Greig Fraser, ASC, ACS for Dune
Dan Laustsen, ASC, DFF for Nightmare Alley
Ari Wegner, ACS for The Power of the Dog
Haris Zambarloukos, BSC, GSC for Belfast
Spotlight Award
Ruben Impens, SBC for Titane
Pat Scola for Pig
Adolpho Veloso, ABC for Jockey
Quindi veniamo agli Eddie Awards dell’America Cinema Editors:
BEST EDITED FEATURE FILM (DRAMATIC):
“Belfast”
Úna Ní Dhonghaíle, ACE, BFE
“Dune”
Joe Walker, ACE
“King Richard”
Pamela Martin, ACE
“No Time to Die”
Tom Cross, ACE, Elliot Graham, ACE
“The Power of the Dog”
Peter Sciberras
BEST EDITED FEATURE FILM (COMEDY):
“Cruella”
Tatiana S. Riegel ACE
“Don’t Look Up”
Hank Corwin, ACE
“The French Dispatch”
Andrew Weisblum, ACE
“Licorice Pizza”
Andy Jurgensen
“Tick, Tick… Boom!”
Myron Kerstein, ACE, Andrew Weisblum, ACE
BEST EDITED ANIMATED FEATURE FILM:
“Encanto”
Jeremy Milton, ACE
“Luca”
Catherine Apple, ACE, Jason Hudak
“The Mitchells vs. the Machines”
Greg Levitan
“Raya and the Last Dragon”
Fabienne Rawley, ACE, Shannon Stein
“Sing 2”
Gregory Perler, ACE
BEST EDITED DOCUMENTARY (FEATURE):
“Flee”
Janus Billeskov Jansen
“The Rescue”
Bob Eisenhardt, ACE
“Summer of Soul……Or, When the Revolution Could Not Be Televised”
Joshua L. Pearson
“Val”
Ting Poo, Leo Scott
“The Velvet Underground”
Affonso Gonçalves, ACE, Adam Kurnitz
Stanze di Cinema 