Il sindacato degli sceneggiatori, la Writers Guild of America, ha scelto i migliori copioni dell’anno, scirtti naturalmente non solo da loro associati, ma secondo le rigide regole imposte dell’associazione.
Ad esempio The Lobster, Florence Foster Jenkins e Lion non erano nominabili, perchè gli sceneggiatori non sono membri della WGA.
C’è inoltre da considerare che per le regole – diverse – dell’Academy i copioni di Moonlight e Loving sono considerati adattamenti e non sceneggiature originali, pertanto qualora dovessero essere nominati all’Oscar, avranno una diversa collocazione.
Ci sono quindi ancora speranze per Jackie e Captain Fantastic, esclusi dal lotto delle migliori sceneggiature originali.
Di seguito tutti i nominati, con i link alle nostre recensioni:
ORIGINAL SCREENPLAY
“Hell or High Water,” Written by Taylor Sheridan; CBS Films
“La La Land,” Written by Damien Chazelle; Lionsgate
“Loving,” Written by Jeff Nichols; Focus Features
“Manchester By The Sea,” Written by Kenneth Lonergan; Amazon Studios/Roadside Attractions
“Moonlight,” Written by Barry Jenkins, Story by Tarell McCraney; A24
ADAPTED SCREENPLAY
“Arrival,” Screenplay by Eric Heisserer; Based on the Story “Story of Your Life” by Ted Chiang; Paramount Pictures
“Deadpool,” Written by Rhett Reese & Paul Wernick; Based on the X-Men Comic Books; Twentieth Century Fox Film
“Fences,” Screenplay by August Wilson; Based on his play; Paramount Pictures
“Hidden Figures,” Screenplay by Allison Schroeder and Theodore Melfi; Based on the Book by Margot Lee Shetterly; Twentieth Century Fox Film
“Nocturnal Animals,” Screenplay by Tom Ford; Based on the Novel “Tony and Susan” by Austin Wright; Focus Features
DOCUMENTARY SCREENPLAY
“Author: The JT LeRoy Story,” Written by Jeff Feuerzeig; Amazon Studios
“Command and Control,” Telescript by Robert Kenner and Eric Schlosser, Story by Brian Pearle and Kim Roberts; Based on the book “Command and Control” by Eric Schlosser; American Experience Films
“Zero Days,” Written by Alex Gibney; Magnolia Pictures
